Let’s keep going! Compression is a BIG topic, so today we’ll be focusing on how to use a compressor on a guitar. Lastly, I will experiment with the Parallel Injection knob but starting on fully Wet, where you're hearing 100 percent of the compression settings that you've just dialed in. You can also think of this as a control for threshold. Did you notice how the “attack” speed was the only things we modified? You may be wondering if there are any other parameters you should be concerned with? And keep in mind that sound engineers are using them EITHER WAY, so you’re actually helping them make you sound better. The settings depend upon both the music and the playing style of the bassist. Then I duplicate that compressor plugin to the slot beneath it. The best solution I could, Perhaps one of the most misunderstood concepts of the mixing and mastering process is loudness. Acoustic guitars will usually accompany the “rhythm section”, so it’s a little easier to determine a “standard” preset. At this point, the level adjustments of the channel I'm working on is a balance created between the Gain knob and the actual fader on the channel itself. 5. Required fields are marked *, I recently distributed one of my tracks through RouteNote so I thought I’d share my experience! Unsubscribe at anytime. The additional features that were added to the plug-in version, Low Cut, Low Cut Selector, Saturation and Parallel Inject, make this a great tool for electric guitar compression. With this in mind, compressor pedals need at least two controls to be effective. Launch price: … Ask.Audio is your ultimate daily resource covering the latest news, reviews, tutorials and interviews for digital music makers, by digital music makers. However, it's important to note that not every electric guitar track needs compression. Add sustain to lead guitar. Since Gary’s guitar signal will most likely come out FULL and STRONG, we might simply need to reduce his dynamic range. Once I’ve got my compression settings the way I like, I increase the threshold so that the gain reduction decreases to 2-4dB’s. From subtle to aggressive, it gets the job done. Reduction lets you view the amount of reduction on the VU meter, and output lets you see your output signal. Grammy-nominated Producer/mixer/engineer/composer Rich Tozzoli has worked with such artists as Al DiMeola, Ace Frehley and more. With the Saturation knob, I tend to start on Clean and push it up from there. Considering that the guitar is a plucked instrument with an inherently heavy attack and relatively sharp decay, compression can either enhance or radically alter the sound of a guitar. Generally speaking, compression on electrics could be used to even out any peaks, beef up the presence and get the sound a bit more '˜in your face'. Why is this better? For clarity, a compressoris a device that reduces the dynamic range of an audio signal; it makes the quiet sounds louder and the loud sounds quieter. The Boss CS-3 Compression Sustainer is known for this, as is the Keeley C4 Compressor. Compressors are essentially tools that allow us to achieve the impossible. ... For example: Say you’re trying to tame the unruly attacks of a bass guitar played with a pick. They can get in the way of the bass and kick, and cloud up the low end of the mix. View on Amazon . Ratio:2:1–3:1 3. Remember, if we're turning up the signal and adding some warm sounding compression, we will be pushing all the frequencies of that particular channel up, from lows and mids to highs. But that's just the first step. But with electric guitars, you don't often need a lot of those bottom frequencies. The result is what we refer to as dynamic range compression. It's necessary to listen to the part and adjust the compression settings to obtain the sound you want. This post contains affiliate links. In their very essence, compressors DECREASE the amplitude of loud sounds or…. So you’ve finally got yourself a compressor, but you have NO idea where to begin. You can try it out for yourself; place your compressor at the BEGINNING of your signal-chain. This is great for all types of playing with the right settings, but especially handy for funk, reggae, ska and other genres where that signature snap can be useful. A guitarist with a plan like that is ALWAYS appreciated in the recording studio. It's a cumulative thing'"the more low end you take out across all the guitars, the more room other instruments have in the big picture. Your email address will not be published. The second “preset” will improve your “rhythm” electric and acoustic guitar tracks. Guitar is a custom Telecaster with Rio Grande Texas BBQ Buckers through a Mesa Boogie MK IV head and Mesa Boogie cabinet. But the MOST IMPORTANT parameter we will be looking at is the “attack” speed. Think about it, each “step” your signal takes CHANGES IT PERMANENTLY. So I set the Low Cut filter to Input, and begin to turn up the Low Cut knob. Are you “hooked” on any particular type of compressor? It’s as simple as that. This is considered a STRATEGIC spot to introduce compression. Your guitarist, Gary, arrives at the recording studio with his new compressor guitar pedal. The MOST IMPORTANT parameter for you to consider it the “attack”, everything else is technical. If you set the selector to input, it acts almost like an EQ. I prefer to first solo the track so I hear the low end being cut out. I've found this especially true using Universal Audio's Softube Summit Audio TLA-100 plug-in. 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