on to this post. This site uses Akismet to reduce spam. Bosley Crowther reviewed âWhite Christmasâ for The New York Times on Oct. 15, 1954. And dance to a song like this: The lyrics to "Mandy" are as follows: I was strolling out one evening by the silv'ry moon I could hear somebody singing a familiar tune So I stopped a while to listen Not a word I wanted to miss It was just somebody serenading something like this Mandy There's a minister handy And it sure would be dandy One of Berlin’s first big hits and the second song we hear in White Christmas is “Blue Skies.” Originally composed for a forgotten Ziegfeld production called Besty, “Blue Skies” has one of the most complicated racial histories of any song out there. Enjoy our Christmas songs. Sorry you almost lost your dinner over it, old friend. If you don’t know what a minstrel show is, the song is perfectly fine…but if you do, its a very weird thing to hear in a musical that is otherwise pretty far removed from minstrelry. Funny you should mention Keaton, Doug. Bob Fosse did some of the choreography as well but wasn't credited. I was searching all over to find the name of There is no comparison on film. Download sheet music for White Christmas. Save my name, email, and website in this browser for the next time I comment. The thing that struck me was the fact that the filmmakers had decided to critique modern dance here, in this way… by showing the “beautiful” woman in hot pink descending from above into this pit of drab, expressionless women. âWhite Christmas â I just laugh so hard at the choreography Dance. The way “Blue Skies” sounds, according to musical historians, was clearly “Jewish” to many listeners in the 20s, but it still became a hit. The racist parts of it aren’t there. ... dances and musical numbers Joseph J. Lilley ... music director / vocal arranger ... Christmas Movies Ranked a list of 40 titles I’m laughing so hard at this whole post. Explicitly and textually it’s not racist…but that’s only because there are no black people in it aside from one bartender in the club car in the “Snow” scene. The 1954 musical is a classic for a host of reasons: the sparkling dialogue, the incredible dances with Vera Ellen, the comedy of Danny Kaye, the fantastic costumes by Edith Head, and the indelible voices of Bing Crosby and Rosemary Clooney. And that’s what brings us back to White Christmas where this song and so many other are scrubbed of their racial and formerly racist context. The Irving Berlin songs, the dance numbers, and yes, the "schmaltz" are just the right combination to put even the Grinchiest person in the Christmas spirit. The “Abraham” number in White Christmas is purely a dance break. I told Clementine that I thought it spoke to the fact that there were warring factions within the theater community at the time. Robert Alton is actually credited with being the choreographer (Dance Director) for White Christmas. Did there used to be? I love Holiday Inn too (although the black face scene does make me cringe). See more ideas about white christmas, vintage dance, 1950s dance. And, yes, Doug, I think that Danny Kaye found himself vomited on my dinner companions quite often. We actually hear “Abraham” only in an instrumental version as Vera Ellen dances her tail off. Franklin Pierce (1853-1857) is believed to have been the first President to put a Christmas tree in the White House. If you ask me what movie I put on first thing in December to get in the holiday spirit I’ll tell you right away that it’s White Christmas. But the song is awful, the orchestration cutesy and overbearing, and Danny Kaye so smarmy that my dinner may emigrate. And thanks for letting me find the name of the White Christmas (1954) cast and crew credits, including actors, actresses, directors, writers and more. He came up in the teens, garnering success as a songwriter and served in the army, writing songs for all-soldier revues during World War I (we’ll come back to that). A song where white people in blackface and a black family that’s kept in the kitchen praise a white man for freeing the “darkies?” It’s appalling to watch now. Read the original review. http://boards.straightdope.com/sdmb/showthread.php?t=543803. And thanks for letting me find the name of the Dance âModern Danceâ Having “Blue Skies,” “Mandy” and “Abraham” in the film as they are is certainly better than the way they were presented in other movies and shows; and without context, they’re fine songs. Santa & The Dance Squad on Amazon Music. Have a tip or story idea? Watch Lamentation, Heretic and Celebration from her “long woo lens phase” and you will see it clearly. “Blue Skies” in particular only gained racist associations with blackface after it became popular. Have a tip we should know? But there was a snag: Fred Astaire didnât like the script and refused to participate. Ah! Your email address will not be published. But I like to think it also might have to do with the fact that, while White Christmas isn’t a really racist film…Holiday Inn certainly is. The set on the Paramount lot was refurbished for the next Christmas classic. The three leads singing so fondly about shows that were just so funny seems quaint…until you realize they’re lamenting the loss of a racist, harmful artform that went out of style half a century before. 15 Things You Didn't Know About "White Christmas" Some trivia about the 1954 Christmas classic ( now streaming on Netflix !) White Christmas (1954) - ⦠I’m not going to mine for outrage and call White Christmas a racist movie. When I watched on Netflix, there was no blackface during the minstrel number. Dance to your hearts content !! Raised the son of a synagogue cantor, Jewish music was a huge influence on his early life and music. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. http://youtu.be/zS_kWttptS4 tips@themarysue.com. The fading of these shows from the scene led some to be nostalgic for them, including a younger Irving Berlin. The “choreography ” number is poking fun at Martha Graham and her technique. The idea to make a movie based on the song “White Christmas” itself, which already had been featured in a movie, might have been a cash grab that came from the fact that the song became such a touchstone for soldiers serving in World War II (Bing Crosby talks about how singing it for the troops was a deeply emotional experience, one that’s recaptured in the film). Personally, I lack the background to make sense of it, but I found it fascinating, and it made me wonder what was going on at the time to have pushed Berlin and the filmmakers to expend the energy. I reminded Clementine of the Merce Cunningham videos that we’d watched at the Andy Warhol Museum, and tried to put the whole thing into historical context, but I think I did a pretty pathetic job of explaining why it is that, in 1954, Irving Berlin, and the people who made White Christmas, would want to divert from their storyline in order to critique modern dance. I’ve never smoked and would have an asthma attack after about 10 seconds of hopping around like him. Check out White Christmas by Ballet Dance Jazz J. Well, that was before he had ever heard of talking pictures or contemplated Al Jolson (who gets a shoutout in White Christmas) singing about a “Mamie” on screen, but blackface and minstrelry were part of his cultural vocabulary so much even then that he wrote several numbers for his all-soldier army revue that were either about or influenced by minstrel shows and one of those songs was “Mandy” and the so-called “Minstrel Number” that eventually made it into White Christmas nearly four decades later. I don’t know if Irving Berlin knew or felt that blackface was racist at the time, because The Jazz Singer wasn’t Irving Berlin’s first or last interaction with blackface and the larger minstrel tradition it arose from. http://www.youtube.com/watch?v=nOTWN8apuA8. A successful song-and-dance team become romantically involved with a sister act and team up to save the failing Vermont inn of their former commanding general. Yeah, not a great movie by any stretch, Doug. 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