I try to think about how beautiful her birth on episode 8 was or even how Shelly and her daughter reconnected, and how Dougie helped that woman reunite with her son. But the meta narrative about a criticism of TV culture checks so many more boxes. As I say in the video, I admit that I could be wrong, and it's fine if you're not on board with what I have to say. From the bottom of my heart, thank you for allowing us to finally meet Judy. And I never considered that before now. It's one of the best analysis videos out there. I welcome all new Twin Peaks content. And I don't think David Lynch would agree with shutting any idea down before it's had a chance to be explored fully and completely. I really enjoyed this video, thanks for putting it out. Also you didnt mention this but The Goddess of Love statue is amputated but still beautiful, I thinknLynch said somewhere. Particularly in its final episodes, The Return relies on a recursive, Möbius-strip structure, in which events echo and loop rather than proceed in straightforward fashion; these repetitions and reflections are distorted and gap-ridden enough, however, to keep the pattern intoxicatingly opaque. Your comment of dismissal was made 54 minutes after I posted this 4.5-hour idea, which is faster than anyone could have watched it even at 2x speed. Your explanation is the first one that fully works and unites pretty much everything. I couldn't wait to join up and discuss these ideas with the people whose posts I have been enjoying and pondering for years. This may be because of the passion and belief you have for your theory - but just something to bear in mind. Its story of an elderly farmer who travels by tractor on a multi-state odyssey to reconnect with his dying brother shares with several Lynch-pins with the series, namely a love of the road, western America’s scenic beauty and Harry Dean Stanton. I had so much fear and you see so much fear but going from that to Laura is legitimately beautiful too. Thanks for taking the time to make this video. I focus-grouped my video with people, challenging them to poke as many holes in my arguments as they could so that I could better illustrate my ideas. I found value in those ideas where others evidently did not, and I think I've made some interesting connections others might not have. Awesome work. But there’s nothing ethereal or mysterious about abuse, trauma and the irresistible death-march of time. Of all the places I hoped would take notice, this subreddit was the one I was most excited about. I watched the whole thing and I think it's well researched and presented. If it's any consolation I think it's the best Twin Peaks analysis I've ever seen. Excellent analysis! I'm a writer and so this wasn't about anything but edification. I always wanting to judge a work for myself after seeing it in its complete form, and I trust others to do the same. Not to mention entertaining. You could have added another 2 hours on all the psuedo biographical meta stuff like David Lynch's father being the statue Dougie looks at, and Bushnil Mullins being a guy who helped Lynch get into art. It helped it become even more symbolic to me. I felt satisfied but I wanted to know more. Just for the record, I don't agree with your theories so far. How refreshing to watch a show wholly alien to the debates that consumed the final seasons of even the most truly wonderful dramas, from Mad Men to The Leftovers. Thank you so much for your video, it's absolutely amazing. Just finished watching last night. To explain why, it’s worth digging deeper than the obvious ways in which the season broke ground: its wild shifts in mood and style, its avant-garde editing and effects, the atom bomb of an hour that was Episode Eight. I hope you continue to expand on the Twin Peaks mythos and encourage others to do the same. Yungblud's Promo Push for New Album Includes a Spot-On Ray-Ban Collab, A Hip-Hop Pioneer Loses His Leg. Yet in a roundabout way it too provides a key to understanding what made Twin Peaks Season Three so strong. It’s not just the 25-year gap that both the audience and Agent Cooper endured. To dismiss ideas before they are understood; that is lazy.I'll repeat what I said in the video in the parts you very obviously skipped - I admit I could be wrong, and it's fine for people not to be on board with what I have to say - and I mean that. I wonder what Lynch would have to say about them. And as much as the Black Lodge itself, aging is the source of so much of Twin Peaks‘ power and pain. Thank you, New comments cannot be posted and votes cannot be cast. Jacoby’s Spray-Painted Shit Shovels Would Work Much Better Using the Netflix Release Model” feel … a little small? And her mother Sarah … well, God only knows what’s been eating away at her (or through her) all those years. People will agree/disagree with the whole and/or parts of your theory. Also Inland Empire had really obvious meta fictional stuff too. My dharma is in-depth, interesting, fun discussions about the best show ever made. What we just witnessed was unmatched in the medium’s history. Some background, at least for myself - this sub used to be flooded with really bad theories, almost to the point of making you wonder if people we just trolling.
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