However, her entire posture and the position of her head give her an air of reserve. © GustavKlimt.net 2020. The patterned background suggests a close up of a decorated interior and refers to Adele Bloch-Bauer’s high social status. Klimt’s first version of her portrait, Portrait of Adele Bloch-Bauer I is the epitome of his opulent Gold Period style, whereas Adele Bloch-Bauer II is a more simple, colorful oil on canvas work. But Klimtâs Portrait of Adele Bloch Bauer I (1907), around which the current film focuses, was created in another Vienna, one sparkling with life and light, enlivened by the vivid Jewish culture of the city. The story behind Portrait of Adele Bloch-Bauer I. Adele Bloch-Bauer (1881-1925) came from a wealthy Viennese Jewish family, her father was the director of the largest bank in Austria-Hungary as well as the general director of Oriental Railroads. Realism Art and Style: Everything You Need to Know, Cologne Cathedral Window, Combining Tradition and Technology. Adele Bloch-Bauer was born in Vienna in 1881 as Adele Bauer, the youngest daughter of Bavarian immigrants Moritz Bauer, the general director of the Vienna Bank Association and the president of Oriental Railroad, and Jeanette Bauer (nee Honig). Upon her death, Adele Bloch-Bauer wished the painting to be given to the Austrian State Gallery, but it was seized by advancing German forces in World War II. 'Portrait of Adele Bloch-Bauer II' was an excellent combination of oil, gold and silver on a canvas 190 x120 cm. While his portraits focus on individuals, they still have mass appeal, just like his other work. Klimt enhances the subject's physical beauty with elements from the natural world, positioning them just as a Japanese artist of the time would. Adele Bloch-Bauer II Painting by Gustav Klimt. Exhibition. Artwork analysis, large resolution images, user comments, interesting facts and much more. Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt. Along with Portrait of Adele Bloch-Bauer I and four other paintings from the Bloch-Bauer collection, Adele Bloch-Bauer II was involved in the trial of the Republic of Austria v. Altmann, in which Adele and Ferdinand Bloch-Bauer’s heir Maria Altmann sued the Austrian State for refusing to return her family’s art collection after the Nazi’s stole the works during the Second World War. This may be due in part to the avant-garde style that he developed as his artistic career progressed. One of two formal portraits that Gustav Klimt made of Adele Bloch-Bauer, an important patron of the artist, is now on view at MoMA as a special long-term loan from a private collection. Although stylistically very different works, the two portraits share the same tumultuous history. This is further evidence of the mass appeal that his artwork has. His portrait of Adele Bloch-Bauer has even been used to make a a Barbie doll. Adele Bloch-Bauer II is a painting by Gustav Klimt. Strong blocks of colour are used to separate the composition into at least three separate spaces. And when she sat for a portrait by Gustav Klimt, she was transformed into an icon, writes Kimberly Bradley. Desc: Portrait of Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt.Adele Bloch-Bauer was a refined art-loving Viennese salon lady, a patron and close friend of Gustav Klimt. This portrait was the second of Adele, wife of Ferdinand Bloch-Bauer and was created in 1912. It was created in 1912 and is currently part of a private collection. As a wealthy industrialist who had made his fortune in the sugar industry, he sponsored the arts and favored and supported Gustav Klimt. The rich patron encouraged these relatively controversial artists and was delighted to have several portraits produced of his wife. 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